Firstly, does the absence of a screen bother you and, secondly, can you live with only half of the processing power? Each of these processes models a specific compressor or EQ via the Dynamic Convolution technology, but rather than simply offering ‘copies’ of the original gear which would be great anyway , Liquid Mix allows for ‘extended’ processing. All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. You can get fat and warm tones easy. This means that your CPU will barely register Liquid Mix’s work-rate, ensuring that low latency applications, such as use during tracking, are extremely effective.
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Write a review cysczbaqfbtwttxxerbczdbscffrwrrtfysus. After trouble shooting for 3 hours I finally gave up Screen absence aside, there’s almost nothing to distinguish Liquid Mix 16 from the original Liquid Mix. Rated 3 out of 5 by J.
The subject of this review is Liquid Mix 16 which at first glance looks extremely similar to the original Liquid Mix, save for that screen. Emulation of high-end vintage and modern day sound processors.
Focusrite Liquid Mix 16 – FireWire DSP Processor LIQUID MIX 16
Liquid Mix 16 takes the very same compressors and equalizers found in the earlier product and provides 16 channels of dynamics and EQ.
That’s the bad news. Here was a FireWire-based desktop box, which co-ordinated with a set of plug-ins to unleash a brand new technology: Hopefully focusrite revisits this product in the future with a more modern, kink free unit.
The compressors nix what makes this unit really worth the money.
As standard, half of the processing power is gone. Upon arriving I set it up and everything focusrie installed properly, I opened the unit in logic and everything loaded except the actual emulations.
The main difference between the Liquid Mix 16 and the Liquid Mix is the number of channels each provides at various sample rates.
Focusrite’s Liquid Mix was originally released in to wide acclaim. Its compressor and EQ tools sound great and are comprehensive in terms of sonic variety. Our Verdict Focusrite’s Liquid Mix technology at a knockdown price – what’s not to like?
The included external power supply can be utilized in the event liiquid the computer has only a four-pin FireWire connector An optional DSP expansion card is available to increase the maximum channel count at higher sample rates.
The same controls flank the unit, with the bottom row of dials mostly dedicated to control of the compression settings while Gain, Frequency and Q dials allow control of the EQ, along with the EQ Band Select button, which cycles through the bands.
We’ve always been a fan of this on Liquid Mix as Focusrite has taken it seriously.
You can do exactly this, either by selecting a ‘global’ EQ across the board or by piecing together a hybrid EQ solution one band at a time. However, if the “FREE” button is active then the compressor emulation will have all liquir available controls with full ranges accessible for use The users can build their own EQs using all of the available seven slots on a single Liquid Mix channel.
The compressors are unbelievable, they sound better than most other plugin emulations and take the strain off the cpu. Pros The best bits of Liquid Mix for much less dough.
The Eq’s are slightly focusrit however. This technology is Focusrite’s alone and, in Liquid Mix, 40 compressors and 20 EQs were modelled from specific classic mixing desks and outboard hardware.
And the really good news?
Focusrite Liquid Mix 16 review | MusicRadar
Firstly, does the absence of a screen bother you and, secondly, can you live with only half of the processing power? The paragraphic aspect was very minimal, on most you can’t have a high Q and at the end I kept reaching for the stock Logic EQ.
For example, the high-pass filter can be taken from a Focusrite MKII emulation for band one, the low-mid parametric from a Neve emulation for band two, a mid-band from an API emulation for band three and so on until band seven Powered from the FireWire bus. This means that your CPU will barely register Liquid Mix’s work-rate, fkcusrite that low latency applications, such as use during tracking, are extremely effective.
So, what else is different? You can get fat and warm tones easy. In other words, if particular functions such as Attack and Release settings weren’t available on the original compression unit in question, Liquid Mix’s Free mode enables you to tweak these parameters anyway, effectively meaning that a classic pile of processors gets dragged kicking and screaming into the 21st Century.
One of Liquid Mix’s most popular elements was its hardware control surface, which allowed tweaking of all important software parameters and even provided visual feedback of its own in the form of a front panel screen.
Additionally, the Liquid Mix 16 processes audio at up to a maximum sampling rate of 96kHz, while the Liquid Mix will function up to kHz.